The film is founded on the confrontation between the Communist Manifesto and the utopian ideas of functionalist architect Karel Honzík. Based upon the film footage of socialist Czechoslovakia a question is posited here regarding the further development of post-communist countries. The Communist Manifesto and the concepts of Karel Honzík, who in the early ’60s developed in his literary work the idea of a perfect communist society as the inevitable goal of cosmic matter, serve as a reflective bridge for considerations directed towards liberal capitalist societies.
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