Drugs won’t solve your problems, but they might help. At least that’s what Memo, a artist tortured by his own failure, thinks. About to turn 30, and in a troubled relationship with his girlfriend, Memo decides to try LSD for the first time in hopes that a psychedelic trip provides him with the answers he so desperately needs. Through the use of this hallucinogenic substance, Memo will access parts of his psyche previously unknown even to him. Come along for the ride.
Feature film located at the beginning of the 20th-century which tells the story of the town "La Esperanza", whose dying mining boom receives a fatal blow.
Marisol (Alejandra Herrera) is caught between her possessive and aggressive cousin, Mauro (Eduardo Mendizábal), and passionate but inert lover, Mundo (Noé Hernández). Violence is a constant presence in their rural Mexican town, with gangs and guerilla fighters a steady presence. When Mundo has to flee, their connection turns from physical to digital even when Marisol is held captive by her cousin. Their communication via text, voicemail, and video is sporadic and frustrating, but is nevertheless a source of comfort, and their longing remains intense despite the distance. When Mundo returns, the stakes for Marisol are even higher, and it's no longer a question of whether things will come to a head, but how and when. Might their desire and desperation ultimately play to her advantage?
When his father passes away, Juan Pablo inherits his guitar. Decided to continue his father's legacy, he abandons his career and becomes a mariachi.
A senior official of the Mexican political system decides to fake the capture and death of The Coyote, public enemy number one in Mexico, to make this happen, he cuts a deal with his family, who require a dead body to pose as a double. Topillero is responsible of executing the plan. But on this journey he is reunited with his wife and son, whom he abandoned years ago.
No one could ever imagine that one day La Chingada Vieja would fall in love. Because she is always alone, because no one has ever turn to see her, because everyone is always closing the door at her nose, because when they feel her coming they cross themselves, but most of all because no one could ever fall in love with death. But El Hombre sin nombre, has appeared in her life for good. Only the confusion of an avenging town and the desire of four men to arrive to heaven could change the plans of these two beings. Of whom the purist feelings alive have resurrected them.
A naïve rookie in the Mexican highway patrol must adapt in order to survive as he contends with widespread corruption, dangerous drug runners and the consequences of his often morally gray actions.
Rodrigo and Mariano plot a robbery; Rodrigo's station wagon will be the get away car. They dream of their wealth to be. A triangle is established when a whore appears, creating a relation of treason and mistrust amongst them. The prostitute and the drunkard rob Rodrigo and Mariano, leaving them without their dream and everything else.
Between chargers, noise and improvisedly placed furniture, a couple experiences a violent marital crisis, ignoring that they are observed by many characters that will soon face them with their own demons. Inspired by a work by Vicente Leñero, Gabriel Retes orchestrates a portrait without concessions of the hell of the marriage institution and love chaos, made in video format in 1990 and completed by the filmmaker more than a decade later.
Alonso Echánove Rojas (August 28, 1954 - November 30, 2022), better known simply as Alonso Echánove, was a mexican actor.
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