An unprecedented and intimate look at the life, work and enduring legacy of British actress Audrey Hepburn (1929-1993).
For the USA, World War 2 was an all-out war - to mobilize the masses, the US government launched a huge propaganda campaign and cinema, the medium of the masses, was quite simply their most important weapon. Government authorities monitored the production of feature films and the military itself produced documentaries aimed at rallying the American people to support the troops. This film tells the story of four Hollywood directors of European origin, who returned to the "Old World" during the Second World War to make propaganda documentaries for the US Army at the front: William Wyler from Alsace, Frank Capra from Italy, Anatole Litvak from Ukraine and - in post-war Germany - Billy Wilder from Austria.
A funny walk through the life story of Billy Wilder (1906-2002), a cinematic genius; a portrait of a filmmaker who never was a boring man, a superb mind who had ten commandments, of which the first nine were: “Thou shalt not bore.”
An intimate portrait of iconic photographer Helmut Newton shot by his wife and fellow photographer June Newton.
Amiable and unassuming, Fred MacMurray went from small-town boy to one of Hollywood and television's most enduring stars.
Jack Lemmon made over 60 films and received numerous awards, including eight Academy Award Nominations and two Oscars. Later in life, his achievement was enriched by new challenges in which he exposed the vulnerability and emotion of the later years as few had dared. He reveled in his ongoing screen partnerships with directors like Billy Wilder and stars like Walter Matthau. Narrated on-camera by Jack Lemmon, this documentary includes interviews with Lemmon's son, the actor Chris Lemmon. Also appearing are such legends as Jack's life-long friend, the writer and director Billy Wilder, writer-director Garson Kanin, drama teacher Uta Hagen and actor Gregory Peck.
Audrey Hepburn was one of the movies' best-loved stars, blessed with beauty, talent, an elegant sophistication and an enduring aura of youthful innocence. As Goodwill Ambassador for UNICEF, she spoke for the world's suffering children and families, earning an affection and admiration that only increased with news of her untimely death. From the star herself we learn of her career and the family and friendships that were her priority.
Director Billy Wilder is interviewed by German critic Hellmut Karasek and director Volker Schlöndorff about his movies.
Billy Wilder (June 22, 1906 – March 27, 2002) was an Austrian-born director, screenwriter and producer who is regarded as one of the most excellent filmmakers of Hollywood's golden age. Today he is best known for his comedies, although he also directed dramas and film noirs. Wilder is one of only five people who have won Academy Awards as producer, director, and writer for the same film (The Apartment). Wilder's career began in Germany, where he worked as a writer for comedy films from 1930. After the Nazis seized power in 1933, he emigrated to the United States, where he continued to write screenplays, including Ernst Lubitsch's Ninotchka (1939) and Howard Hawks' Ball of Fire (1941). From the early 1940s, Wilder was allowed to film his own screenplays and thus made a name for himself as a director. Initially, his greatest successes included predominantly dramatic film noirs such as Double Indemnity (1944), The Lost Weekend (1945), Sunset Boulevard (1950) and Ace in the Hole (1951). It was only then that he increasingly turned to comedy, including Stalag 17 (1953), Sabrina (1954) and The Seven Year Itch (1955), although he made a small detour to courtroom drama with Witness for the Prosecution (1957). With Some Like It Hot (1959) and The Apartment (1960) he made his most famous and probably most successful comedy films, the latter even receiving five Oscars. In One, Two, Three (1961), Wilder dealt with the conditions of the time in his former adopted country, Germany, and made the successful romantic comedy Irma la Douce (1963). In the two decades that followed, Wilder made seven more films, which were less well received by critics and audiences, although the German-French drama Fedora (1978) is viewed somewhat more favorably today by predominantly pretentious film experts. Some time later, Wilder was under discussion as director for Schindler's List, which he had wanted as the end of his long career, but ultimately had to turn it down due to his advanced age.
By browsing this website, you accept our cookies policy.
