France, 17th century, under the reign of Louis XIII. Dogtanian is an impetuous and innocent peasant from Gascony, as well as a skilled swordsman, who travels to Paris with the purpose of making his dream come true: to join the Corps of Muskehounds of the Royal Guard.
Marisa is a 65-year-old widow living in a small country town in the sole company of her dog Tico. One day she receives and unexpected visit from Hiroshi, and they will share a day that won't be like any other.
Routine and red sausage have led Mauricio to lose things he took for granted. In an act of illogical desperation, he visits a carnival fortune-teller to try and tie up the lose ends he left along the way. With the help of her crystal ball, the fortune-teller shows him an alternate reality.
Just as the city's movie theaters are closing their doors, the relationship between Leandro and his son Martín is fading; but Leandro tries to redeem his past mistakes, free Martín from a gray life and get him to recover his imagination, to dream again and find the light.
Karol: The Pope, The Man is a 2006 TV miniseries chronicling Pope John Paul II's life as pope in flashbacks from October 22, 1978's papal inauguration to his death in 2005 and was directed by Giacomo Battiato. It is the sequel to the 2005 TV miniseries Karol: A Man Who Became Pope, which portrayed John Paul's life before the papacy and ended on October 16, 1978, the day of his papal election.
The story unfolds in Bilbao. Rocío (Emma Suárez), is in love with Mario (Antonio Banderas), a free rider with a lot of face that, to top it all, is partner of the business of her father, Domingo (Francisco Rabal) with whom she maintains incestuous relations. When Domingo passes away, both Mario and Rocío's mother have to put to the front of the business, finishing with the inheritance that could receive Rocío. In the midst of her frustration, a young business worker, secretly in love with Rocío, will try to have the legacy of her father end up in the hands of his rightful heiress.
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