A comprehensive story of Hollywood's horror and science fiction films of the 1950s, told by the people who made them.
Film noir, which enjoyed particular success in the 1930s and 1940s, is probably the most profound genre of classic Hollywood cinema. Eckhart Schmidt tries to show the background and developments and speaks, among others, with directors such as Richard Fleischer and Robert Wise as well as with "femme fatale" actresses. Filmmakers of the following generations explain how the style and themes of noir continue to shape cinema today.
The film centers on an emotional kayaking trip between a father and a son. The father has taken his boy into the deep Alaskan wilderness to tell him that he is divorcing the boy's mother, who is pregnant and waiting for them back home. While on the trip, the father and son get involved in a potentially fatal accident. Fortunately, an enigmatic mountain man appears to save them. Later he helps the troubled twosome find hope and salvation through God. Meanwhile, the wife, also finds a new life through old-time religion and happiness ensues all around.
Coleen Gray (born Doris Bernice Jensen; October 23, 1922 – August 3, 2015) was born in Staplehurst, Nebraska. After graduating from high school she studied dramatics at Hamline University, graduating with a Bachelor of Arts degree, she then decided to see America and traveled to California, stopping off at La Jolla where she worked as a waitress. After several weeks there, she moved to L.A. and enrolled in a drama school. Her performances attracted a talent scout from 20th Century-Fox, with whom she signed a contract after a screen test. Although Fox put her in several good pictures (Kiss of Death (1947), Nightmare Alley (1947), The Razor's Edge (1946) in which she acquitted herself well, many of the roles they gave her were not worthy of her talent and she never became as big a star as many thought she should have. Still, she has an extensive list of credits in films, TV, radio and on the stage.
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