Jobe is resuscitated by Jonathan Walker. He wants Jobe to create a special computer chip that would connect all the computers in the world into one network, which Walker would control and use. But what Walker doesn't realize is a group of teenage hackers are on to him and out to stop his plan.
Carl, a successful Wall Street stockbroker, loses his job and his wife, and finds himself in Harlem, sharing a tenement apartment with his simple brother Simon. Just as Carl's situation couldn't get any worse, a stroke of luck lands Simon a high-paid position with a cable TV network, forcing Carl to come to terms with his brother's success.
When his brother asks him to look after his young son, Clifford, Martin Daniels agrees, taking the boy into his home and introducing him to his future wife, Sarah. Clifford is fixated on the idea of visiting a famed theme park, and Martin, an engineer who helped build the park, makes plans to take him. But, when Clifford reveals himself to be a first-rate brat, his uncle goes bonkers, and a loony inter-generational standoff ensues.
A naive business graduate is installed as president of a manufacturing company as part of a stock scam.
A former inspector of the SIAE, focusing everything on his cunning and stubbornness, tries to grab (even in fraudulent ways) all the televisions or private radios that come to hand; all to please a mysterious woman named Gilda.
Ray Tango and Gabriel Cash are two successful narcotics detectives who can't stand each other. Crime lord Yves Perret, furious at the loss of income they have caused him, plots an elaborate revenge against them.
Mary is an American sitcom that aired on CBS during the 1985-86 television season. The series stars Mary Tyler Moore in her return to series television after an absence of over six years, during which time she appeared on Broadway in Whose Life Is It Anyway? and in the dramatic film Ordinary People. After The Mary Tyler Moore Show, her subsequent ventures into series television, the variety show Mary and The Mary Tyler Moore Hour had been short-running ratings disasters, and Moore decided to return to the sitcom format which had brought her the greatest television success.
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