In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
In 1515 Machiavelli stated that it is better for the Prince to be feared than loved. Some 500 years later, Michael Hardt, political philosopher and co-author of Empire, Multitude and Commonwealth, asks what it would mean to base a political system on love, rather than on fear. How can we transform a society that is increasingly defined by a permanent state of war and cultivated by an industry of fear? How can we realize the paradigm shift necessary to move away from a reality that depends on the exploitation of people and the cult of privatisation of public resources?
The legendary photographer William Klein has designed this fascinating book on fashion photography, with a selection of images from throughout his career, including material from his films. Though Klein claims roots in areas as diverse as painting, street photography, the tabloids, and B movies, his fashion work has been known since the fifties and sixties and has been a constant in his career.
A young, idealist American gets a job as a train conductor for the Zentropa railway network in postwar, US-occupied Frankfurt. As various people try to take advantage of him, he soon finds his position politically sensitive, and gets caught up in a whirlpool of conspiracies and Nazi sympathisers.
The owner of Black Angel is shot by Mamba, a killer in the pay of the Chinese mafia. The victim's daughter, who witnessed the murder and knows she is threatened, refuses to collaborate with the police and prefers to call on an old friend of her father's, Lemmy Caution, but is this man, who lives on an island paradise, still old enough to play the vigilante?
A parody of Frankensteinian stories. It is a story of a little boy, an orphan who arrives at the Castle of Count Frankenstein - a world inhabited by mysterious and sometimes a bit ridiculous scary creatures. Although each one of them is different, they all share one thing: they feel lonely and they are desperate for a little love and affection.
Eddie Constantine (born Edward Constantinowsky; October 29, 1917, Los Angeles, California – February 25, 1993, Wiesbaden, Germany) was an American-born French actor and singer who spent his career working in Europe. He became well-known for a series of French B movies in which he played secret agent Lemmy Caution and is now best remembered for his role in Jean-Luc Godard's philosophical science fiction film Alphaville. Constantine also appeared in films by Rainer Werner Fassbinder (as himself in Beware of a Holy Whore 1971), Lars von Trier, and Mika Kaurismäki. He continued reprising the role of Lemmy Caution well into his 70s; his final appearance as the character was in Jean-Luc Godard's Allemagne année 90 neuf zéro (1991). Description above from the Wikipedia article Eddie Constantine, licensed under CC-BY-SA, full list of contributors on Wikipedia
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