Late 1950s in France. One woman, two men. She, Ève Faugère, a glamorous diva at the peak of her career. The man, her husband, Maurice Faugère, an immense author who made her and propelled her for years to the firmament of the song. And finally the lover, Jean Leprat, her pianist who adores her and burns with passion for her. The atrocious poison of jealousy will consume them to the point of tragedy, the trap of a Machiavellian plot will take them all three. And she, the other one, the so pretty Florence, so fresh. This ambitious young singer, ready to do anything to overthrow the one she admires, is she not also caught in the trap of a diabolical game that is beyond her? Where does the danger come from? Who is orchestrating this fatal merry-go-round engraved in the vinyl of the brand new singles that brings its poisonous message every day? Who will die? Who will survive?
Except for Amine and Kimmy, the young couple of neighbors she meets regularly, visitors are rare in Constance Brunel's antique store. Loneliness is also her life. One night, Amine, in a panic, seeks help at her house: Kimmy has fallen badly when she slipped and she has killed herself. Thinking that the police will not believe this version because of his judicial past, Amine borrows Constance's car to take the corpse and make it disappear. In the days that follow, this shared secret brings Constance and Amine closer. But one morning, an anonymous letter accompanied by photos demands a ransom: someone in the building has seen everything, the blackmail begins.
Louise, framed for murder, sees the only solution is to pose as her twin brother who has just been assigned a job as a detective. The discovery of the body of a woman modelling for artists leads her into the decadent world of high society.
1940, Jeanne Reichenbach turns her back on a peaceful life to link her destiny to Léon Blum. She's been loving him since her teenage years, and is ready to sacrifice her freedom to mary him at Buchenwald, where he's held prisoner. They will survive together.
A brilliant and determined female engineer is approached by a network of powerful women with an offer to help become the head of a CAC 40 firm. The conguest, which was at first thrilling, turns to complete war with the men who still dominate.
Stéphane Goudet is all over the Tati box-set as the preeminent Tati scholar, so it is only fitting that he conclude the disc with a half hour lecture that concludes the themes and methods of the filmmaker.
Jérôme Deschamps, born Neuilly-sur-Seine on 5 October 1947, is an actor, director and stage author, as well as a cinema actor and director associated with the Famille Deschiens troupe founded by Macha Makeïeff in 1978. In 2003 he was appointed artistic director of the Théâtre national de Nîmes, leaving that post for the equivalent at the Théâtre national de l'Opéra-Comique in June 2007, where he remained until 2015. Deschamps is the nephew of Hubert Deschamps and his mother was the distant half cousin to Micheline Winter who married Jacques Tati, Upon the release of the animated film The Illusionist this non-biological relationship to Tati has been openly challenged by the grandchildren of Jacques Tati in a published letter to Roger Ebert. He studied at the Lycée Louis-le-Grand where he met Patrice Chéreau and Jean-Pierre Vincent with whom he made his first stage appearances, before moving toward a professional career in theatre, at the École nationale supérieure des arts et techniques du théâtre and the Conservatoire national supérieur d'art dramatique de Paris. He joined the Comédie-Française under Antoine Vitez and directed his first play in 1977. In 1979 Jérôme Deschamps was advised by Jacques Tati on Les Oubliettes and created a play Les Deschiens from Antoine Vitez's commission for the Ivry spring. In 1981, with Makeieff he founded the Les Deschiens company, which in 1993 became a television series on Canal+ with Yolande Moreau. He was the director of the 6th Festival du court-métrage de Saint Maur in 2008. Source: Article "Jérôme Deschamps" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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