When his girlfriend is kidnapped, a drug-addicted ex-cop must overcome his demons and face the sobering task of tracking her down before it's too late. His story dismissed by the police, he's left with no choice but to rely on his own detective skills in a high-stakes race against time.
Three vignettes, "The Domino Players", "The Secret Miracle" and "point of View," are linked by telephone conversations being surreptitiously listened to by Marcos, the main character. Navigating the fine line between comedy and tragedy, "107 Street" not only richly illustrates the particulars of ethnic life in one pulsating New York City neighborhood, it explores that world's universality. Premiered at the 2004 New York International Latino Film Festival.
Robert is a writer who hasn't done much writing lately; instead, he's busy pushing the envelope with his toxic mix of boredom, drugs and a dalliance with a married woman, Elizabeth. In spite of Elizabeth's marital status, Robert falls for her completely, a commitment that just may blow up in his face, along with the rest of his life.
Jessica Beshir is a Mexican-Ethiopian documentary filmmaker, producer and cinematographer based in Brooklyn. She graduated in Film Studies and Literature at UCLA, after which she made several internationally acclaimed short films. The short documentary He Who Dances on Wood (2016) was selected for Hot Docs and won Best International Documentary Short at Edmonton Film Festival and the Jury Award at Anchorage International Film Festival. Hairat (2017) premiered at Sundance, was screened at IFFR and IDFA and won several awards at various other festivals. Beshir is a recipient of the Sundance Documentary Film Program, Jerome Foundation and NYFA Fellowships. Faya Dayi (2021) is her feature debut.
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