Former actor Jules works her way up to the top of the cutthroat world of Los Angeles commercial real estate, surrounded by an assortment of chauvinists, buffoons, and sharks. But as she rises through the ranks, Jules begins to understand just how intoxicating dealmaking can be.
On a relentless quest to avenge his sister's murder, a man from Cape Town infiltrates a sprawling network of lowlifes and elites in Los Angeles.
Follows Gillian Eames and Lieutenant Riggins as they race against the clock to stop the black market sale of a highly volatile biological agent that was originally designed by the military to expedite the recovery of soldiers wounded on the battlefields of Iraq and Afghanistan.
A shy young man summons the courage to approach the unapproachably handsome guy at the bar to surprising results.
A man, suffering from brain seizures, tries to reconnect with his past by developing old pictures that he doesn't remember. Everything leads to a mysterious gas station, where the man will face his worst nightmare.
Jonno Roberts has been acting in the US since arriving from New Zealand in 1999. He has become a popular performer on stage as well as screen, performing throughout the US and Europe. He rapidly gained a reputation for hard-hitting performances in a number of productions that have been acknowledged as American theatre landmarks, including the hit New York production of Tracey Letts' "BUG" (he replaced Michael Shannon in the lead role); as Eilif in Janos Szasz' devastating "Mother Courage" at the American Repertory Theatre; as Edmund the Bastard to Stacy Keach's "King Lear" at the Goodman Theatre, Chicago; and in notorious Catalan director Calixto Bieito's sole American production - "Camino Real", also at the Goodman. He was profiled as a notable artist by the National Endowment for the Arts. Before moving to the US, he was best known in New Zealand as a comedian, and can still be occasionally seen performing at the legendary LA venue Largo, alongside longtime friend and comedy partner Rhys Darby. Jonno received a Masters degree from the Institute for Advanced Theatre Training at Harvard University, and from the Moscow Arts Theatre School.
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