Women on the Run is a TVB modern drama series broadcast in July 2005 to February 2006 on Sundays.
The Virtues of Harmony II is a long-running TVB television series, which follows its first series, Virtues of Harmony, a series set in Ancient China. This new, second series of the Virtues of Harmony is set in Modern Hong Kong.
Virtues of Harmony is a long-running sitcom from Hong Kong, lasting 322 episodes with two direct seasons. Produced by Tsui Yu On, the sitcom was a TVB production and aired five days a week from September 17, 2001 to December 28, 2002. The series chronicles the comical events and life of the Kam household, a rich family during a prosperous time in the Ming Dynasty of China. The series was inspired by the 2000 TVB comedy drama Colourful Life. Originally planned to be an 150-episode sitcom, an extra 200 episodes were added due to the sitcom's rating success. After the episode finale, a spin-off sequel, Virtues of Harmony II was released in 2003, as well as a spin-off musical, which starred the same cast.
Burning Flame is a TVB modern action drama that focuses on the duties and challenges of Hong Kong firefighters. It is the first installment in the Burning Flame series. The series was specifically filmed to celebrate TVB's 31st Anniversary and was supported by Hong Kong Fire Services Department.
A triptych of ghost stories. A school-girl, accused of thievery, jumps to her death; her ghost possesses one of her friends to deny the theft to a TV reporter and a skeptical psychologist. Four young women on holiday rent a flat that's haunted by a woman who murdered her son. Two workers in a high-rise are spooked by a ghost after they find a gold chain in an elevator motor. The ghost pursues them until his own body is found and he can rest. These ghosts are especially active at 3:00 A.M.
"Those Were the days" speculates on what would happen if a hot international art house director were transported back in time to the 1960s Hong Kong film industry. Highlights include: WKW meets Wong Jing as a child and profoundly influences career; WKW attempts to make his kind of films with the resources, talent, and expectations of 1960s HK filmmakers, and a lot of other Hong Kong /Wong Jing style zaniness.
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