Moti, a ten-year-old Bengali boy, tells us about his country, his life and an encounter that marked his life, that of Paul Danvin, a French captain, who, with a heavy heart, has just let the scrap merchants of the sea attack the hull of his boat with a blowtorch. In Chittagong, Bangladesh, Paul finds himself without a crew, without papers and without a future. He takes the train to Dhaka, the capital, and meets Moti and her mother Alima. By instinct or by fascination, Paul follows them to the village of Rulipara, built on a strip of land protected from the Jamuna River by dykes. While the monsoon rages, and the Jamuna destroys the houses of Rulipara, condemning the population to a new exile, Alima and Paul engage in a desperate struggle to live their love without hindrance.
The portrait of an extraordinary French dancer-choreographer: Jean Babilée (1923-2014) is filmed at home, in the streets of Paris, at the Opera Garnier or at the Champs-Élysées Theater, “always caught, even in his kitchen, in full body work”.
A grenade robbery has been committed. It bears the trademark of Rock and yet it is in fact Tango, a professional poker gambler who is its author. Rock is furious and sets out to find the usurper. He picks up his track, abducts Alice, Tango's mistress, and, by means of threat, tries to oblige Tango to go on holding up banks for him. Tango refuses but, surprisingly, Rock does not insist. Maybe because he feels more and more attracted to Alice. The two men end up becoming friends. But police superintendent Luther, who is after Rock, is drawing closer...
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