After the affair, Keiji presses Yoshiko to marry him, but Yoshiko refuses because she is concerned about the fact that she is older than Keiji. Meanwhile, Yoshiko is selected as the secretary of the new company president, Okawa, and she is invited by Okawa to his villa in Izu. She was told to find a replacement for her private driver, who is currently on vacation, and she recommended Keiji.
The industrial group's boss, Fujita, has used bad means for the prosperity of his company. In recent years, he tried to take over a rival company, but failed, and he was noticed by the prosecution. He was driving to a villa in the mountains to destroy evidence, and on the way he encountered a fallen woman, Tomoko, and took him with him. After learning that Tomoko, who had regained consciousness, tried to commit suicide, Fujita sympathized a little and offered a guidepost to live as a concubine if she wanted to die anyway. Push Tomoko who resists to the bed and fulfill her desire. The next day, the company contacts me and finds out that I'm going to get rid of it. Fujita, who is impatient, tries to return immediately, but when Tomoko, who has become obedient overnight, sees her carrying coffee in a naked apron, she forgets to go home and plays with her and tastes it again.
Documentary on one of the most famous branches of Japanese filmmaking, the erotic Pink film genre, known as Pinku Eiga, and the closely related Roman Porno cult films series produced by notorious Nikkatsu studios from 1971 to 1988.
Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.
Toshio and Masato live like a married couple and jointly run the gay bar "Crystal". One day, Toshio receives a letter asking him to live with his son, Shinji, who he hasn't seen for over 15 years since he broke up with his wife, and is moving from the countryside to Tokyo to enter a talent school.
Japanese film director, screenwriter, actor, and producer.
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