Set in 1964, a man returns to his hometown looking for his childhood sweetheart but discovers a dark and corrupt world.
When the pictures from Bergamo in Italy go around the world in spring 2020, even non-medical people know what the word pandemic means. The previously unknown Coronavirus is spreading rapidly across the planet. Four days later, exit and contact restrictions also apply in Germany. Since then, the life of the Konstanz intensive care physician Dr. Carolin Mellau and her family on their heads. The female doctor becomes a member of the crisis team and is on duty around the clock to prepare the clinic for the impending emergency. As an anesthesiologist intubating those infected with COVID-19, she herself carries a high risk of infection. Meanwhile, her husband Stefan has to cancel his concerts as a musician, is no longer allowed to teach his music students and is suddenly sitting at home without an income. Teenage daughter Luzy is not allowed to see her Swiss boyfriend because the border is closed. She and brother Tim cannot go to school. But the worst case for the family is yet to come.
It is an absolute B movie. It starts like a fake western movie and continuous with an East European prostitute on the run from her manager. Bad example of a good quality German movie. There are many of good quality and better than average American entertainment. But this one is not.
In this filmic memoir, German director Rosa von Praunheim returns to New York, a city he knew and loved in the woolly 1970s, to see what he might find and also to check in on the colorful protagonists of his 1989 documentary, Überleben in New York. Both a personal journey and a historical survey, New York Memories captures a transformed city by charting the shifting course of gay life, from Warhol Factory figures to the AIDS ravaged, within it.
An aging King invites disaster when he abdicates to his corrupt, toadying daughters and rejects his one loving, but honest one.
An American filmmaker travels to modern day Berlin to make a film based on a real-life incident from 1942 in which 13 Jewish prisoners from a concentration camp were promised freedom if they appeared in a German propaganda film. Unfortunately, the Germans lied. The psychological process undergone by the modern filmmaker while shooting the story provides the basis of this arty and challenging film.
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