Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.
Moving to a new place of residence, to an old apartment in the slums of St. Petersburg, Olga and her daughter Natasha accidentally discover a letter from the distant blockade of the forty-second year. A letter from the boy Yura for the girl Martha, whom he unwittingly offended before he had time to confess his love… The search for Marta becomes Olga and Natasha's salvation from pain and true self-discovery...
In the second movie the Naval Cadets are guarding the princess coming from Germany to marry a Russian prince.
Unexpectedly, Trusotsky, with whom they communicated nine years ago, comes to Velchaninov. It turns out that recently Trusotsky's wife died, leaving him with a 9-year-old daughter.
The drama of Eugene Markovsky is based on the novel by F.M. Dostoevsky's “Eternal Husband”.
In one apartment there lives a strange rational creature. A neighbor treats him favorably. But another vicious neighbor who has just moved into this apartment is trying to remove this creature from the apartment.
During field work, drivers find a treasure of gold coins. They want to hand over the treasure to the state, but all officials do not want to take responsibility for its safety...
A single mother, blinded by the love for her trouble-making son Januszek, makes more and more sacrifices for him.
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