An account of the successful life and work of Spanish singer and actor Camilo Sesto (1946-2019), the portentous, almost miraculous, voice of Spanish pop music for decades, through his own point of view, told during his last interview and in many others, and through the words of those creators whose own work has been strongly influenced both by his art and his magnetic personality.
An 80-year-old actress returns to the small Chilean town of her youth to fulfill her father's dream of creating a TV channel in a place which has never known television.
When director Daniel Schmid grew up, his parents ran a hotel in the Alps, and this singular setting was to influence his film. Rather by coincidence he came to Berlin in the early 1960s and became part of the new German wave. Schmid worked with, among others, Wenders and Fassbinder, for example as an actor in Wender’s The American Friend. He met Ingrid Caven, who was to play a diva in several of his films. This is a documentation of a part of modern European film history and a good analysis of artistry and how it corresponds to the individual behind the camera. A wealth of archival footage brings us close to many directors and actors in Schmid’s circle. If you’ve never seen a Daniel Schmid film, you are sure to want to after watching this portrait of his life.
Adriana and her mother left Brumal, a strange and remote village, and moved to the city while still a child. Once Adriana's mother dies, she's marked by memories and intense nostalgia for her hometown, and returns to Brumal.
This suspenseful Italian crime drama is set in a Colombian river town and chronicles the series of events that led up to murder. Based on a novel by distinguished author Gabriel Garcia Marquez, the tale begins in the present as a middle-aged doctor returns to the village after a twenty-year absence to investigate the murder that occurred just before he left.
She was born in Milan, Italy, the daughter of Francesca Bosè and Domenico Borloni. After a number of years working in a bakery, in 1947 she won the second edition of the Miss Italia beauty contest. Later, she acted in Dino Risi's short The Five Days of Milan. Then, in 1950, she made her big screen debut in Giuseppe De Santis' “Non c'è pace tra gli ulivi” (No Peace Under the Olive Tree). Her career flourished until 1955, when she fell in love with Spanish bullfighter Luis Miguel Dominguín, and gave up acting to marry and raise a family. She and her husband were married until 1968, but their differences were accentuated over time, especially her lack of interest in bullfighting. In 1960, she took a small uncredited role in Jean Cocteau's film “Le Testament d'Orphée.” Then, after divorcing Dominguín, she returned full-time to the screen.
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