The Badger is the story of a 40-year-old woman called Soodeh Sharifzadegan who faces a strange incident, right before her second marriage.
When demonic Jinns threaten his mother, a man must confront the sins of his family and a curse that spans generations.
Toomaj manages to escape from the prison but when get back home he finds that his wife has been raped by an unknown person. This is only the beginning of the troubles as Toomaj begins to search for that person.
Death and love are sacrifices, which in principle, the woman's hero, takes the film to Paradise.
Yashar has returned to Iran after few years to give a news for his friend's family, Unaware that they have news for him.
Mohammad Ali is an actor and filmmaker who returns to his country Iran to begin a new life with his painter wife Mitra. Finding a home seems impossible, however, and a baby is on the way.
Stories of families who live in the Zanjan city in the 1980s. Family atmosphere of those years of war and its impact on their lives A family tradition in the 1980s they live in the city. Families who affected by the war between Iran and Iraq.
The film is set around three protagonists. Two run a gas station on the outskirts of town, on a road that gets next to no traffic anymore, and so they get next to no customers. They live and work out of a decrepit van on site, its windows covered in plastic. Sadry is a former strongman, now blind in one eye. He is the boss of the station. Yadi is his eager to please assistant, who usually annoys more than pleases. Finally there is the postman, Abbas, who longs to trade in his brakeless bicycle for a motorcycle, while he must care for his mentally ill brother.
With his father in jail, probably for smuggling alcohol across the barbed-wire border, Behruz and his family are destitute. His love of birds and talent for imitating their songs land him the unhappy job of helping to capture them for a local bird merchant. He meets a girl his own age whose mother comes to Iran to sell clothes, but they leave before he has a chance to say goodbye. Qanbari sticks to images and the children’s plaintive faces, old before their time, to tell his story almost without words. Their delicate emotions are echoed in a local bridegroom’s illegal crossing into Azerbaijan for his own wedding.
Mahmood Nazaralian (محمود نظرعلیان) is an Iranian actor known for Saman Salur's quirky indie movie 'Sun Station' (Istgahe Aftab or Amin Khahim Goft) and drama film 'Raspberry' (Tameshk). In 2015, Nazaralian appeared in Amir Hossein Saghafi's arthouse feature film 'The Man Who Became a Horse' (Mardi ke Asb Shod). More recently, Mahmood Nazaralian played in the movie 'White Feather' (Pare Sefid).
By browsing this website, you accept our cookies policy.