Masato Hara made his directorial debut in high school in 1968 and achieved a reputation as a young prodigy. Many years later, he continues to make films and show his old experimental 'live-screening' films, but is saddled with massive debts. This film follows eight years in his life.
Film director Masato Hara welcomes MAORI as a partner and begins a new life. The two of us routinely turn the 8mm camera and make songs while the days go by. The time between the two will soon be the time for the three with their newborn eldest son, KOBOH. And a small family trip. Head south from Kyoto to Hiroshima, Kyushu, and Okinawa. Put enough luggage, shooting equipment and accordion in a small car.
While still in secondary school, Hara Masato (1950) won several prizes with his 16mm film A Sad Yet Funny Ballad. In 1970, he wrote the script for Oshima Nagasi's film The Man Who Left His Will on Film. In 1973, he completed The First Emperor, a film on which he worked for three years. The film was selected by the magazine Kinema Jumpo as one of the most important films in Japanese film history. From the 1980s on, Hara focused increasingly on television documentaries. In his work, he makes use of various media, mainly animation and laser disk images and he often combines the screening of his films with live performances.
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