Inspired even as a boy by the Folies Bergere, the legendary Paris cabaret venue, couturier Jean-Paul Gaultier always wanted to stage a show there. "But what story can I tell?" he muses in this doc about the six months of preparation that went into the show. "Mine." Combining fashion with film, dance, theater, and unapologetic over-the-top-ness, the revue offers a 40-year career retrospective of the designer who is practically never spoken of without using the phrase enfant terrible. Notorious among cinephiles for his costumes for The Fifth Element and The Cook, The Thief, His Wife, and Her Lover and among pop fans for Madonna's pointy cone brassiere, he also incorporated teddy bears and S&M fetish gear as design motifs. In the show, the fanciful and outrageous meets the naughtily witty (a skit sending up Vogue dragon lady Anna Wintour) and the poignant (a tribute to his partner Francis Menuge, who died in 1990).
I saw my mother rot like a vegetable. One day, she woke up and she was ten years older. And yet, she fought for her life. For nothing.
When their beloved Polish immigrant mother passes away, the sisters Emma (Kiberlain) and Rosemonde (Devos), and their brother, Charles (Berry), are obliged to deal with the personal and physical aftereffects, which include the cozy, old fashioned flat where she lived on the movie’s titular street (located in the heart of Paris’ chic 2nd arrondissement).
Since Charlie is no longer there, the lives of Boris, Elie, and Maxime have been torn apart. These three men, who have nothing in common, all shared one thing: their love for Charlie. One loved her like a sister, one loved her like the woman of his dreams, one loved her like a friend. Except that Charlie is dead and none of them - not Boris, an accomplished businessman, not Elie, a night owl scriptwriter, and not Maxime, still living at home with his mother - know how to deal with it. But because she asked them to do so, they abruptly decide to undertake a journey together, heading for Corsica and the house that Charlie loved so much. Except that here they are stuck in a car together for over 500 miles. It's going to be a long journey. Boris, Elie and Maxime, three men, three generations, no affinity. But by the time they arrive at their destination, they will have realized one majorly important thing: Charlie has changed their lives forever.
The wealthy Deville family loses their fortune at the same time the unassuming Ricci family suddenly become internet millionaires; things look bleak until their mutual banker suggests Mr. Deville goes to work for the Riccis!
A bio-doc about Micheline Presle changes into a thrilling investigation of the long hidden truth about European cinema. This mockumentary thriller uncovers Hollywood's unsuspected plot against the European motion picture industry. Numerous directors and stars appear in the film, making it a choice morsel for all film lovers.
In the summer, 27 year-old Sam drives towards the south of France in his Ford. He meets Matthieu and his sister Léa and takes them along in his apparently aimless journey. Matthieu has a crush on Sam and tries to seduce him. Léa is a beautiful, young, provocative girl who likes men so much that she got pregnant. She soon brings along Jérémie with them. Throughout the trip, they learn to know, fight and love each other. In spite of a blooming relationship with Matthieu, Sam isolates himself because of his secret: he is headed for Spain to find his long-lost mother.
An elderly gentleman and his dog find themselves out of a home with little means.
Un conservateur terrorisé par les plantes vertes, une mère plastifiée pour être exposée, un ballet de Saintes Vierges, des gardiens épuisés par Rodin, un ministre perdu dans une exposition de sexes, une voiture disparue au parking Rembrandt, des provinciaux amoureux des Impressionnistes, touristes galopins galopant d'une salle à l'autre, passager clandestin dans l'art premier, Picasso, Gauguin, Warhol, ils sont tous là dans ce petit monde qui ressemble au grand, dans ce musée pas si imaginaire que ça, valsant la comédie humaine jusqu'au burlesque.
Micheline Presle (born Micheline Nicole Julia Émilienne Chassagne on 22 August 1922) was a French actress. She was sometimes billed as Micheline Prelle. Starting in 1939, she starred in over 50 French and English language films that were made in Hollywood and in France. Born in Paris, she wanted to be an actress from an early age. She took acting classes in her early teens and made her film debut at the age of fifteen in the 1937 production of La Fessée. In 1938, she was awarded the Prix Suzanne Bianchetti as the most promising young actress in French cinema. Her rise to European stardom, in films such as Devil in the Flesh, led to offers from Hollywood and in 1950, she was signed by 20th Century Fox. 20th Century Fox executives changed Presle's last name to Prell. It was later changed to Prelle after a soap company brought out Prell shampoo. Her first Hollywood production was a starring role opposite John Garfield in the film Under My Skin directed by Jean Negulesco. That same year director Fritz Lang cast her opposite Tyrone Power in the war drama American Guerrilla in the Philippines. In 1950, she became the second wife of American actor William Marshall with whom she had a daughter, Tonie. William Marshall had teamed up with actor Errol Flynn and his production company and in 1951 he directed Flynn and her in the film Adventures of Captain Fabian. Presle's marriage did not last and she returned to France, divorcing Marshall in 1954. Her career flourished in French films and in 1957 she was a guest on the American Ed Sullivan Show. In 1959 she performed in the United Kingdom English-language production of Blind Date directed by Joseph Losey. She returned to Hollywood in 1962 for the role of Sandra Dee's mother in the Universal Studios film If a Man Answers which also featured Dee's husband, singer Bobby Darin. The following year, Presle acted again in English in The Prize starring Paul Newman. She did not make another English film, but after performing in more than 50 films in French, in 1989 she appeared in the French-made bilingual production I Want to Go Home, for which she was nominated for the César Award for Best Actress in a Supporting Role. In 1971, Presle signed the Manifesto of the 343, publicly declaring she had an illegal abortion. Presle died in Nogent-sur-Marne on 21 February 2024, at the age of 101, at the Maison des Artistes, a retirement home for artists, which receives partial government support. Her death was confirmed by Olivier Bomsel, her son-in-law, without specifying the cause. From Wikipedia, the free encyclopedia
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