NATO operative Jacques Kristoff (Jean-Claude Van Damme) is summoned into action—on his birthday, no less—to track down Galina Konstantin (Laura Harring), who has stolen an extremely valuable and dangerous top-secret container from the Slovakian Government. Finding Galina doesn't take long, and Jacques must wrap up the mission by returning Galina and the contraband to his superiors by train. Things seem to be going smoothly as Jacques and Galina board the train posing as a couple, but soon all hell breaks loose.
A retired opera female singer terrorizes people and animals because of her love for a 20-year old boy (in the days of the Total Solar Eclipse 1999).
June 1946: Stalin invites Russian emigres to return to the motherland. It's a trap: when a ship-load from France arrives in Odessa, only a physician and his family are spared execution or prison. He and his French wife (her passport ripped up) are sent to Kiev. She wants to return to France immediately; he knows that they are captives and must watch every step.
A young boy is taught to use his imagination by his grandfather who casts him in a great adventure back in time. Using a magic coin, he enters the medieval world of Sinbad, who must rescue a beautiful princess from the clutches of an evil knight.
Edgar M. and his mother come abroad a small ship to Eden Sanatorium spa. It is here that the wife, wronged by her husband, will seek a cure for her bad headache, while the 13-year-old Edgar M. is fighting his first male impulses as well as 'enoresis nocturna', the prettier word for wetting one's bed. The boy's amazed gaze hungrily devours the diverse hotel guests, their love joys and sorrows, while passion lustfully penetrates the walls, carried by the voice of the enchanting opera singer.
A girl walks out as if of Pandora's Box to foretell the drama humankind is to face, paying for all sins, we have been piling up through the ages. A number of directors being parodied take turns to show their take on this drama and relate it to modern life. Getting tangled up in the opposition between the eternal and transient, the base and the sublime, it all turns into a cocktail of an absurd and profound poignancy.
A beautiful princess is locked in a tower and an evil wizard wants to marry her.
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