Baghdad Outside Baghdad is based on the Gilgamesh Sumerian legend, set in the first decades of the 20th century and told with a realistic and human hold. The story portraits six different stories that in different ways reflects the intellectual and cultural life in Iraq in that period, a period that fostered great poets and singers. The film presents six figures from this period through easy going as well as melancholic perspectives, while they live as strangers in their homeland and slowly move towards death. Gilgamesh is constantly present in the story, and as set in the historical epic portrayal, watchful and fearful of the death. Baghdad Outside Baghdad is outermost a historical portrait of Iraq.
The tragedy of a country embodied in the life of Khatun, which owned beauty, money and power, and was chastity, so she saved her body from the arrogance of the governor and the injustice of her uncle to go on the journey of challenge, giving and pain
Zaman is a sweet and sad story about love and devotion, hope and fear. Zaman (Sami Kaftan), and his wife, Najma (Shatha Salim), have built their happy life together in their house of reeds and, though childless, adopted a boy, Yacine (Hussein Imad), orphaned by the 1991 Gulf War. They have lived a quiet, contented existence until Najma falls ill. The local doctor tells them she needs surgery or some special medicine he does not have. And so Zaman sets off in his small boat and journeys up the Tigris to Baghdad in search of the precious cure. Thus begins the journey of salvation and discovery for "Zaman, the Man of the Reeds."
In a dramatic context, Rahoumi experiences the final moments of his life as his life flashes before his eyes. He reminisces about his wife, who was unable to conceive, and remembers Naja, whom he regarded as his own daughter, and decides to leave her a significant portion of his wealth. However, his sister and her husband strongly object to this decision.
Amidst the turmoil of the 1991 war, parents faced a harrowing choice: to protect their loved ones from bombs and missiles, they sought refuge in shelters. In Baghdad's Amiriyah shelter, 450 souls found solace, but tragedy struck at dawn when two US missiles, guided by precision, ravaged the sanctuary, leaving devastation in their wake. Desperate families waited outside, their hopes dashed as the reality of war's cruelty unfolded, leaving behind a dawn tainted with sorrow.
Ibrahim finds himself under intense nervous pressure as he seeks revenge for his father's murder by one of the sons of his village in a brawl that occurred between them. At the same time, a love relationship arises between him and the girl Ward, so he tries to persuade his family to forgive and distance themselves from bloodshed. On the other hand, Ibrahim tries to monitor what is happening in his work, dealing with theft and looting, attempting to rectify the situation in various ways.
A true story that occurred during the Iraq-Iran war, where one of the Iranian shells hit the bride Lamia on her wedding night. The story narrates the reality of the border city (Mandali) situated between Iraq and Iran, where the girl Lamia maintains loving relationships with everyone, highlighting the role of infiltrators like the madman who transmits information about the city to the other side.
The film depicts life in Iraq during the Iraq-Iran war through the characters of the fighters Jabbar and Imad (played by Jalal Kamel and Nizar Al-Samarrai). They live in the city of Basra and the Iraqi countryside amidst the war atmosphere. Jalal develops a love relationship with the beautiful girl Soha, and they both join their military duties.
Saleh inherits a building after the death of his uncle, he is surprised to find out that tenants living in the building are suffering from different kind of problems caused by his late uncle especially the high rent that he used to collect from them which is higher than the amount agreed on in the contract. Saleh gets an offer from a rich man who wants to buy the building by any price but Saleh refuses that causes the rich man to ask one of his men to do the job of scaring the tenants so they would leave the building.
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