Story of two sisters that grew up in a small Serbian village in the beginning of the 1930s. The village is torn up by wars and years long blood oath. There are no men left in the village. Our heroines, Ognjenka and Mala Boginja decide to go to the city, kidnap men and return life to their village. The lights of the metropolis dazzle them and there starts this little amusing and sentimental adventure.
For Seven Easy Pieces Marina Abramovic reenacted five seminal performance works by her peers, dating from the 1960's and 70's, and two of her own, interpreting them as one would a musical score. The project confronted the fact that little documentation exists from this critical early period and one often has to rely upon testimony from witnesses or photographs that show only portions of any given performance. The seven works were performed for seven hours each, over the course of seven consecutive days, November 9 –15, 2005 at the Guggenheim Museum, in New York City. Seven Easy Pieces examines the possibilities of representing and preserving an art form that is, by nature, ephemeral.
Olivera Katarina (Serbian Cyrillic: Оливера Катарина; née Petrović (Петровић); born 5 March 1940), also previously known as Olivera Vučo (Оливера Вучо) and Olivera Šakić (Оливера Шакић), is a Serbian actress, singer and writer. She was one of the leading stars of Yugoslav cinema in the 1960s and the 1970s, and is probably the best known for her performance in Aleksandar Petrović's film I Even Met Happy Gypsies (1967), which won the Grand Prix at the 1967 Cannes Film Festival. As a singer, Olivera Katarina has performed music of various genres, varying from Serbian traditional to pop music, and in numerous languages. Her version of "Đelem, đelem", which she performed in I Even Met Happy Gypsies, has been considered as one of the best rendition of that song ever recorded. Description above from the Wikipedia article Olivera Vučo, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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