MURDEROUS TALES is a special effect animated feature film combining live actors with 3D/2D animation, puppets and back projection. It contains three stories: Antonio Cacto, Lighthouse and The Big Man, plus three ultra-short films called Charge the Dragon. Each episode uses different production technology and is in a different genre, but both their form and their content are related. All the episodes are about double standards and the topics of heroism and death. Something very small meets something very big (a tiny knight meets a huge dragon, an old Mexican goblin meets a man, a tiny Professor meets real-life cows, two mobsters meet the Big Man). All these meetings result in the heroic death of the small principal characters. Each script sees heroism and death differently.
Policajti z předměstí is a Czech television comedy series which premiered on TV Nova. In 1999, 21 episodes were aired.
A run-of-the-mill family is terrorized by strangers dressed in military garb who invade their private realm.
In 1992, Prague is the capital of a small kingdom. The prince is supposed to choose his bride to be at a royal ball. But to everybody's surprise, he chooses an ugly cleaning-woman. She is shy and silent, but after the marriage she turns into a wild and rumbustious woman with an obstinate and stubborn mind. They both try to kill each other, but the queen is thrown into the dungeons.
The director Ivan Balaďa was not allowed to finish this gloomy, black-and-white parable, inspired by Chekhov's short story Pavilion No. 6 - only after the fall of communism, more than twenty years later, did the film hit the cinema screens, unfortunately to negligible acclaim. In fact, it is only now that we can fully enjoy the story of an aging, increasingly exhausted mental institution doctor who is inexorably sinking to the level of his patients.
A recording of the legendary production “Audience“ from the Prague Drama Club with Josef Abrhám and Pavel Landovský. In 1975, Václav Havel worked as a labourer in the brewery in Trutnov; he could do nothing else. And it was here that he made perhaps his most successful one-act play, Audience, about the writer Ferdinand Vanek, who is invited by his superior to offer him a deal - a promotion to warehouse keeper, but in return has to inform on himself for StB reports.
From Wikipedia, the free encyclopedia Pavel Landovský (September 11, 1936 – October 10, 2014) was a Czech actor, playwright and director. He was a prominent dissident under the communist regime of former Czechoslovakia. Landovský was born in Německý Brod and studied at the Faculty of Theatre in Prague and then played in regional theaters in Teplice, Šumperk, Klatovy and Pardubice. The first play that he wrote, Hodinový hoteliér, premiered at the Činoherní theater on 11 May 1969. In 1971 the communist regime banned him from film and television. He continued acting at The Drama Club and other theatres. Landovský was one of the initiators of the human rights' petition Charter 77. He was subsequently banned from working at the theater. Constantly harassed by the secret police (Státní bezpečnost), during the winter of 1978-79, Landovský was accosted at night by an agent and severely beaten and had his leg broken. Feeling compelled to leave for his safety, when was offered a position in the ensemble of the Burgtheater in Vienna, Austria, he accepted. After the Velvet Revolution in 1989, he was able to return to Prague in January 1990. There he was able to act again, playing one of the lead characters in the play Audience at club Činoherní - a play written by his friend Václav Havel 16 years earlier, and who had recently been elected president of then Czechoslovakia. The play was directed by Jiří Menzel. He died on October 10, 2014 from a heart attack in Kytín, aged 78.
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