The film is a portrait of Zygmunt Samosiuk, a great forgotten cinematographer, who died in 1983. As a director of photography he worked on such films as The Birch Wood, Landscape Afterthe Battle and Austeria. He introduced, among others, hand‑held camera shots, colour lights and shooting at minimum exposure. Reminiscences of his colleagues and friends, including Andrzej Wajda and Piotr Szulkin, show a gifted artist and a modest man who valued his work above all.
On the eve of the Day of the Dead, among mysterious old rituals of the Vilnius region, ghosts of the past and present start to appear.
Piotr Szulkin was a Polish film director and writer. He directed over thirteen films, both Polish and international productions. He was a recipient of "Best Science Fiction Film Director" at Eurocon in 1984. During the latter part of his career, he was also a professor at the National Film School in Łódź. He was the son of Paweł Szulkin, a Polish physicist from an assimilated Jewish family (his grandparents were Idel Szulkin and Małka Frydzon). His paternal uncle was Michał Szulkin, a historian and publicist. In 2013, Piotr Szulkin demanded the removal of information about the Jewish ancestry of Paweł Szulkin in his biography in the Polski Słownik Biograficzny (Polish National Dictionary). After Piotr Szulkin sued Polski Słownik Biograficzny, in January 2014, the Civil Court in Kraków, as a protective action, put a one-year prohibition on the dissemination of the volume of Polski Słownik Biograficzny including the biography of Paweł Szulkin.
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