In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
Sin Destino follows the life of a 15 year old Mexican boy, Francisco, as he struggles to survive on the streets. His primary source of income is money raised by prostituting himself to men for sex, and the film implies that this learned behaviour has arisen as a result of a contact with a single man when Francisco was 9 years old. This man, Sebastien, is an "artist" who initially claimed to want to photograph the boy, but it is clear that their relationship at one time extended far beyond that of photographer/model.
The beloved screen legend Katy Jurado, the lights one last time in the history of a special friendship that develops between a lonely old woman and Jorge, a rebellious teenager in Mexico City in 1984. Through the use flashbacks, Jorge, now an adult, remembers the unforgettable lessons and conversations about human nature and society in general. This fascinating film provides a beautiful tribute to the legendary actress in a history of heart that will make you laugh and think.
A young man witnesses the horrible death of his girlfriend. He then sells his sexual services to a woman who brings him home to her dying husband.
Iñaki, a petty thief, is forced to leave Spain because of a crime that got complicated. He decides to go to Mexico to meet his father, and realizes that he has lived a life of lies, but also discovers other things, within a group of guys with little luck.
Minerva, a middle age writer, decides to break the uncertainty that prevents her from creating the novel that for years she has nested in her mind. Unintentionally, she returns to the port where she was born and she encounters a past full of ghosts and chimeras. Paradoxically, she founds herself because of this journey back home, so she begins writing the story of her life, of her own childhood, with its magical past and tragedy.
Bruno, a young prostitute on the streets of Mexico city, spends his free time yearning for his straight friend Umberto. When Umberto rejects him, Bruno reacts with his own violent and misguided actions...
Surrealist master Luis Buñuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre.
After twenty or thirty or forty unproductive years "up north" an emigrant gives up and goes home.
Roberto Cobo was born on February 20, 1930 in General Zuazua, Nuevo Leon, Mexico as Roberto Garcia Romero. He was an actor, known for Los olvidados (1950), Dulces compañías (1996) and Subida al cielo (1952). His apartment collapsed during the 1985 Mexico City earthquake. Fortunately, he was rescued but his hip was damaged badly. He had to use a staff to walk after the earthquake. He died on August 2, 2002 in Mexico City, Distrito Federal, Mexico.
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