At a glittering party in 18th-century Paris, the poet Andréa Chenier delivers an impassioned denunciation of Louis XVI. Five years later, the Revolution has given way to the Terror, transforming the power balance between Chénier, his beloved Maddalena, and Gérard, the man who could destroy him...
“Kaufmann is performing the title role for the first time, and it’s hard to imagine him bettered. His striking looks make him very much the Romantic and romanticised outsider of Giordano’s vision. His voice, with its dark, liquid tone, soars through the music with refined ease and intensity: all those grand declarations of passion, whether political or erotic, hit home with terrific immediacy.” – The Guardian Presented in its Covent Garden premiere in January 2015, this staging – directed by David McVicar and conducted by the Royal Opera’s Music Director, Sir Antonio Pappano – shows a bloody tricolour daubed with the words “Even Plato banned poets from his Republic” – written by Robespierre on the death warrant of the historical Chénier, a poet and journalist sent to the guillotine in 1794 for criticising France’s post-revolutionary government.
At the end of 2013, the year that marked the 50th anniversary of Francis Poulenc’s death, his gripping and moving operatic masterpiece, Dialogues des Carmélites was staged in Paris by director Olivier Py with a cast featuring some of France’s finest female singers – Patricia Petitbon, Véronique Gens, Sandrine Piau and Sophie Koch – under the baton of Jérémie Rohrer. Le Figaro described the production as “a thing of wonder,” while Le Monde called it: “A masterpiece ... the most exciting and consummately achieved show to have been seen on a Parisian stage in a long time … This was great work, magisterial and unforgettable.” “The memorable Dialogues des Carmélites at the Théâtre des Champs-Elysées marked the climax of commemorative activities for the 50th anniversary of Poulenc’s death,” wrote Opera magazine of the production of Poulenc’s gripping and moving opera that was staged by the French director Olivier Py in Paris in December 2013.
Hector Sandoval, Norma Fantini, Scott Hendricks, Tania Kross, and Rosalind Plowright star in this production of the Giordano opera performed by the Vienna Symphony, Bregenz Festival Chorus, and Prague Philharmonic Choir conducted by Ulf Schirmer.
This deliciously dark take on the beloved Brothers Grimm fairy tale, appealing to audiences of all ages, was part of the Met’s popular English-language holiday series. Alice Coote and Christine Schäfer star as the famous siblings lost in the woods, who battle the ravenous Witch—a zany portrayal by tenor Philip Langridge—while the Met orchestra, under the baton of Vladimir Jurowski, glories in the rich, folk-inspired score.
Reeling from the death of his beautiful mother, Lysander Hawkley, semi-pro Tennis ace, moves from one married woman to another, whilst amounting debts he has no hope of paying off. Until his best friend, Ferdie, hits on a plan - Romance the wives, make the husbands jealous, but get the wives to pay for the privilege. Lysander agrees, and does well, until he meets Kitty Rannaldini, the bullied wife of the greatest conductor in the world. As he gets to know her, Lysander realises he feels more for Kitty than he'd like to admit. The town of Paradise will never be the same again!
Rosalind Anne Plowright OBE (born 21 May 1949) is an English opera singer who spent much of her career as a soprano but in 1999 changed to the mezzo-soprano range. Rosalind Plowright was born in Worksop and studied at the Royal Northern College of Music in Manchester and at the London Opera Centre. Plowright made her professional debut with Glyndebourne Touring Opera in 1975 as Agathe in Der Freischütz. She sang Donna Elvira in Don Giovanni and the Countess in The Marriage of Figaro with the Glyndebourne Touring Opera in 1976 and 1977. Also in 1975, she appeared with both Welsh National Opera and Kent Opera before making her debut with English National Opera as the Page in Salome in 1976. She earned good notices in 1979 for her Fennimore in Frederick Delius's Fennimore and Gerda at London's Camden Festival. She then appeared with ENO in the roles of Miss Jessel in The Turn of the Screw, Desdemona in Otello, Elizabeth I in Donizetti's Maria Stuarda, Hélène in Verdi's Les vêpres siciliennes, Elisabeth de Valois in Don Carlos, and Tosca. Her recording of Elizabeth I in Donizetti's Maria Stuarda, with Janet Baker as Mary, Queen of Scots, brought her wider recognition. In 1980, Plowright sang Manon Lescaut at Torre del Lago, Aida and Ariadne in Frankfurt, Ariadne in Bern and Ortlinde at the Royal Opera House. Her American operatic début was in San Diego as Medora in the United States premiere of Verdi's Il corsaro. Her debut at La Scala came in 1983 when she sang Suor Angelica. Since then, she has performed in major opera houses and companies around the world including Covent Garden, Hamburg (from 1982), Madrid (from 1982), Verona (from 1985), the Paris Opera (from 1987), Frankfurt, Munich, Berlin, Vienna State Opera, Athens, Rome (from 1990), The Metropolitan Opera, San Francisco Opera, Arena di Verona, Florence, La Fenice Venice, the Liceu Barcelona, Teatro Colón Buenos Aires and Municipal Theater of Santiago. With José Carreras, she sang Andrea Chénier at Covent Garden and recorded La forza del destino for Deutsche Grammophon. With Plácido Domingo she has performed Il trovatore and Die Walküre at Covent Garden. With Luciano Pavarotti she performed Aida at Covent Garden and a gala concert for 25,000 at the Arena of Verona. She sang Cherubini's Medée at the Buxton Festival, Lyon, Lausanne, The Royal Opera House, Covent Garden and Athens. Plowright also performed Norma in Montpelier, Pittsburgh (1985), Lyon, Santiago di Chile and Paris (1987) and in Oviedo and Bonn (1988). Among the many conductors with whom she has worked are Carlo Maria Giulini, Riccardo Muti, Claudio Abbado, Zubin Mehta, Giuseppe Sinopoli, Wolfgang Sawallisch, Bernard Haitink, Antonio Pappano, Michael Gielen, Sylvain Cambreling, Semyon Bychkov, Seiji Ozawa, Mark Elder, Roger Norrington and Giuseppe Patanè. She also gave recitals with Geoffrey Parsons in over 20 international festivals. As an actress, Plowright has appeared as Grace Vosper in the BBC series The House of Eliott and with she played the part of Hermione Harefield in Anglia Television's The Man Who Made Husbands Jealous (1997), an adaptation of the Jilly Cooper novel of the same name. As a theatre artist, Plowright has appeared in the new musical comedy Two's a Crowd. ... Source: Article "Rosalind Plowright" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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