Midori Koyama, age 29. The first thing that person gave me was a name.
The big New Year's Eve. A painter who has lost his wife while studying in the U.S. tries to complete a portrait of his dead wife before the New Year, but he just can't get the eyes right. Then he has a fateful encounter with a woman named Lynn, who resembles his wife, at the airport. The two of them get into a tuk-tuk, a three-wheeled cab known in Thailand, and embark on a journey to finish what they both want to finish. The two gradually become attracted to each other, but at the same time, their hidden pasts are revealed.
This project, a fusion of poetry, music, and movies, gives birth to a new style of filmmaking, through the work of five directors.
Brooding outsider Mikiro catches Sotoko just as she reaches a breaking point in her claustrophobic rural life. Their encounter introduces an eroticism with a violent edge that threatens to slash apart her toxic marriage with the abusive Atsuya and his web of small town corruption.
Storytelling Guy writes about his intimate relationships in his novels, even if it hurts those around him. Hotel Girl wants him to write about her, and lives with Night Shift Guy to provide material. Traveling Girl was in one of Storytelling Guy's novels, and has returned after a long absence.
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