Le Passeur immobile, which covers the year 1987, is a Booklet filmed stuck between The Days and the Nights (1986) and The Artifice and the Fake (1988). These Notebooks have been punctuating my activity as a filmmaker for about fifteen years. They are like a life parallel to my other films and film series (Cinema, Group Portrait, Read, etc.). They are also like a letter to the spectators.
In this surreal comedy, Tonio works very hard for every bit of ill-gotten cash he can get his hands on, but he remains a poor criminal in both senses of the word. He and his buddies Bruno and Hercule think they have the solution to their pocketbook woes. The body of St. Bernadette has been miraculously preserved from decay and is a central object of pilgrimage in the shrine where it is kept. Why not steal that and hold it for ransom? The criminal gang is well able to pull this coup off and are soon in possession of one perfectly preserved corpse and a very fancy coffin. It's too bad for them that the church seems to have a limitless supply of these and doesn't want the one they stole back. Bemused, the lads set the coffin adrift on the river, only to be followed by it as they drive back upriver. In the course of carrying out their criminal designs, these lovable lugs encounter a variety of eccentric characters.
Jorge is a DJ at a Lisbon nightclub. But the club owner, Queirós, who is also involved in diamond traffic, is obsessive over a woman, Cláudia, who betrayed him before. When she unexpectedly returns to Portugal and to the club, Jorge immediately understands Queirós's obsession over her. For her, Jorge also gets involved in diamond traffic and is slowly dragged into a world of passion, violence and betrayal.
Corinne Vanier is the young and charming secretary of a computer company run by Jacques Touret. For some time now, she has been seeing on her computer screen declarations of love that are as anonymous as they are passionate. Their author, Michel Alliard, a young executive in love, is too shy to dare approach Corinne directly. While trying to obtain more precise information on the identity of her mysterious suitor, Corinne becomes convinced, through an unfortunate combination of circumstances, that he is none other than Jacques Touret, her manager. This is the beginning of a series of misunderstandings.
Based on the controversial case of Pvt. Joseph Pringle, a Canadian soldier convicted of murder in Italy in 1945 and executed by firing squad.
In this romantic comedy, Paul, a good-looking gym teacher, falls hopelessly in love with Isabelle a very busy, professional fashion designer whose response to him runs both hot and cold, driving him to distraction.
Paris, October 1948. Nino, Gilles, Donald, Barbara and their friends are a new breed of spectators. They discover the cinema as art, they are moviegoers. They will try to realize their grand project: to found a film club. "My film first wants to be a testimony of young people who have lived for a passion. Cinema"
Jean and Julie meet again ten years after childhood. Jean has trouble recognizing the grown up girl. Julie is "promised" to Henri, a neighbor. Julie, scathing and capricious, provokes Henri and Jean.
Three young friends steal some music equipment for their struggling post-punk band and, in a panic, kill the shop’s owner. Assayas’ debut feature examines, with characteristic restraint and acuity, the psychological fallout as the band unravels—and each of its members grapple with their own feelings of guilt, paranoia, and despair.
While in the first part, Lili searched for her mother, she now questions her mom on the identity of her father.
Simon de La Brosse (9 October 1965 – 17 April 1998) was a French actor from Suresnes. He started his acting career in the role of Sylvain in Éric Rohmer's Pauline at the Beach in 1983. He committed suicide in 1998, shortly after completing the TV film Louise et les Marchés. Source: Article "Simon de La Brosse" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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