Fanis and Maria are living in the nasty center of Athens. They operate on the world of background actors and escape rooms. They are trying to make a killing in any way. They both sell and are being sold. Toxicity, porn, drugs. A wild and passionate couple in a dead-end love story.
The Bastards have left the city behind. Their house in the countryside smells of nothing but summer. Five girls and five boys living in the moment, for the moment. No outsider comes around here, and all the insiders take turns standing guard, kissing each other, playing dead. They are still kids. They are your kids. They are our Bastards.
A Greek filmmaker plans to shoot a film, following the footsteps of the Greek revolutionary Rigas Feraios. While visiting the cemetery, a small crowd of ghosts of the 18th century personalities decides to follow his path.
In a working class neighborhood of Athens of the economic crisis, resurgence of fascism and covid19, a racist group of 18-year-old students persecute immigrants, homosexuals, anyone who is just different. A classmate of theirs who does not hide his dislike for their action quickly becomes their target.
Electra, was a teacher a few years ago in the industrial village "X". A decayed village under the shadow of a huge factory, not on its heyday. Lia, until a few years ago a student of Electra, was and remains beautiful. She works in “Heaven”, a local cafe owned by the 50-year-old known as "Cannibal". Lia has no way out. ntertainment and spectacle is nothing more than souped-up cars drifting on the empty lot. Electra knows that Lia deserves another kind of glory, she knows that as her teacher she has to lead her there. Electra returns. And she will take Lia with her to commit the robbery they both need: Lia to escape, Electra to tie Lia with her.
Iris, a teacher in her early forties who works at a Fine Arts School, assigns to her students an exercise on a Free Subject. It is a time when social behaviours and values are being called into question. The 20-year-old students are thrilled at the idea of being free to choose their own subjects. They create an “imagination factory” that has no limits. After finding Iris’s lost cell phone, provocative Yorgos, bases his Free Subject on his fictitious recreation of his teacher’s life. Free Subject deals with the limits of individual freedom in contemporary Western societies.
In a suffering country somewhere in the near future, a community of misfits who live in a state of decadence and paranoia, tries to claim a decent life, fighting against an authoritarian oppressive regime.
Theodora Tzimou (Greek: Θεοδώρα Τζήμου; born 20 March 1974) is a Greek actress. She appeared in more than twenty films since 1994.
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