After an extended period directing original screenplays, dos Santos returned to the creative engagement with literature that was the wellspring of his early masterpieces, offering a combinatory adaptation of five stories by the renowned Brazilian novelist João Guimarães Rosa. Openly embracing a mode of magical realism, dos Santos' celebrated film tells the story of a farming family defined by the absence of its father who abruptly abandoned his wife and children, sailing away down the river, including his son who continues to communicate with his father, speaking daily to him from the river bank. While offering an evocative vision of rural Brazil as a timeless land of mystery and solemnity, The Third Bank of the River is also bitingly satiric in the remarkable depiction of religious belief when the family moves to the city and its youngest member, a mesmerizing little girl, is revealed to be a kind of saint, capable of miraculous acts. -Harvard Film Archive
According to an amazonian legend, every month, during the full moon, a brazilian fishing village receives a mysterious guest: the Dolphin, who transforms into a human to seduce and be loved by women and hated by men. One of her conquests is the daughter of a fisherman, who has a son with the Dolphin. He constantly reappears to seduce her, and even when she marries, he continues to look for her. This provokes the ire of the husband, who wants to kill him anyway.
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