Kenji Amo is a 2nd generation Japanese-American. He was born in America, but went to school in Japan. He returned to America to study at UCLA. Now, Kenji Amo works as a reporter for a newspaper in the Little Tokyo area of Los Angeles. Charlie Tamiya also studied at UCLA with Kenji Amo. Charlie Tamiya has feeling for Nagiko who works with Kenji Amo at the same newspaper company. Knowing that, Kenji Amo holds complicated feelings. At this time, Nagiko's friend Emi Hatanaka asks Kenji Amo to marry her. He accepts her proposal, but the Pacific War begins. Circumstances surrounding Kenji Amo changes.
When two brothers steal a valuable heirloom from an elderly Japanese woman, they unknowingly awaken her demigod son, Osaru, who does not take kindly to thieves.
Violinist and songwriter Kishi Bashi travels on a musical journey to understand WWII era Japanese Incarceration, assimilation, and what it means to be a minority in America today.
Leaving internment camps to defend their country in Europe, Japanese-American Nisei soldiers of WWII became the most decorated unit in American history.
The unlikely story of 106-year old Chinese American artist Tyrus Wong, and how he overcame poverty and racism in America to become a celebrated modernist painter, Hollywood sketch artist, and “Disney Legend” for his groundbreaking work on the classic animated film, Bambi.
After the closure of US Japanese Internment Camps at the end of World War II, a Japanese American family returns home and must find the strength to rebuild both their house and family amidst the emotional and physical destruction.
December 7, 1941 - TOMIKAZU “TOMI” NAKAJI (Kyler Ki Sakamoto) and his best friend BILLY DAVIS (Kalama Epstein) are playing baseball in a field near their homes in Hawaii when Japan launches a surprise attack on the US at Pearl Harbor. As Tomi looks up at the sky and recognizes the Blood-Red Sun emblem on the fighter planes, he knows that his life has changed forever. Based on actual events, Under the Blood-Red Sun is an unforgettable story of friendship, courage and survival.
A young Japanese-American girl struggles with discovering her identity, heritage, and the loss of her connection to her past in the context of the Japanese-American Internment during World War II.
During the Japanese-American internment of World War II, a woman held at the Tule Lake segregation camp with her family leaves her barracks one night.
The story centers on an elderly hibakusha, whose husband was one of 80,000 human beings killed in the 1945 atomic bombing of Nagasaki, caring for her four grandchildren over the summer. She learns of a long-lost brother, Suzujiro, living in Hawaii who wants her to visit him before he dies.
Medal of Honor Recipient George Sakato said with tear, ' I am not a hero. I just killed a lot of people. It's not good. This medal is for the people who couldn't return their homes, not for me.' Even many soldiers who received the decoration still have deep scars in their hearts now. He is the veteran of 442nd Regimental Combat Team in WW2 composed of Japanese Americans, who were at first seen as the problem because of their race, but later seen as problem solvers because of their splendid achievements on the battle field. They had to fight not only the enemy but also prejudice. This is the story of the 442nd and their veterans now and then.
Even though bringing in cameras to the internment camps was prohibited, one man managed to smuggle in his own camera lens and build a camera to document life behind barbed wires, with the help of other craftsmen in the camp. That man was Toyo Miyatake, a successful issei (first generation immigrant) photographer and owner of a photo-shop in the Los Angeles Little Tokyo district, and of one of the many Americans who was interned with his family against his will. With his makeshift camera, Miyatake captured the dire conditions of life in the camps during World War II as well as the resilient spirit of his companions, many of whom were American citizens who went on to fight for their country overseas. Miyatake said, "It is my duty to record the facts, as a photographer, so that this kind of thing should never happen again."
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