Todd is a hyper-articulate, obsessive compulsive gay twentysomething whose fear of dying alone leads him to a baffling conclusion: he might not be gay after all. When he meets Rory, a whip-smart struggling actress with her own set of insecurities, the two forge a relationship that’s all talk and no sex.
Ha Na and Doo Na were twin sisters who were very close to each other until Doo Na died a terrible death. One day, the usually bright and energetic Ha Na finds herself changing. She has superhuman strength and can do things that nobody can. Ha Na realizes that Doo Na's spirit has inhabited her body. Shin Ryu, a criminal psychoanalyst, uses Ha Na's powers to kill people that cannot be punished by the law.
An intimate conversation between Félix Guattari and psychiatrist Danielle Sivadon.
A psychoanalyst learns to have an illness and as a consequence he decides to quit his job. All his patients get together to find a way to make him feel better.
In 1950 Jerome Hill went to Zurich with the intention of making a film about Dr. Carl G. Jung. The project was abandoned when Hill decided that Jung was not a good subject. After Hill's death, Jonas Mekas edited the film which focuses on Dr. Jung as a person.
After the Second World War, Claude, son of communist resistance fighters, whose mother died in Auschwitz, and Ben, child of a prostitute and a Jew, face the demons that haunt them with the help of Françoise Dolto.
Dr. Henry Harriston is a successful psychoanalyst in New York City. When he is near a nervous breakdown, he arranges to change his flat with Beatrice Saulnier from France for a while. Both don't know each other and both find themselves deeply involved into the social settings of the other, because the decision to change their flats is made overnight. Could be the perfect amusement, but suddenly Henry finds himself beaten up by Beatrice' lover and Beatrice is considered to be Dr. Harriston's substitute by his clients...
Resonating Surfaces is triple portrait, of a city, a woman and an attitude to life. For the personal story of Suely Rolnik, who is a Brazilian psychoanalyst currently living in São Paulo, involves the Brazilian dictatorship of the sixties as well as the Parisian intellectual climate surrounding Deleuze and Guattari in the seventies. The film is woven through by different themes: the other and the relation to otherness, the connection between body and power, the voice and, ultimately, the micropolitics of desire and of resistance.
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